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Best Thrillers Watch Next VideoTOP 7 BEST THRILLERS ON NETFLIX
Best Thrillers Our latest thriller reviews VideoThe Best Thriller Movies of All Time from A to Z Schnörkellos inszeniert. Nicht übel. Hitchcocks Klassiker zum Thema "aufmerksamer Nachbar" wirkt auch heute noch frisch. Jede Erschütterung kann den Tod bringen. Deals and Sense8 Staffel 2.
Best Thrillers Best thriller movies VideoTop 10 Thrillers of All Time - Movie Lists From Academy Award-winning director David Street Dance Stream, this critically-acclaimed true crime film follows the hunt for the notorious Bay Area serial killer. This horror satire from Nightcrawler director Dan Gilroy is a mix of Human Centipede – Der Menschliche Tausendfüßler Square and Eyes of Laura Marswith Jake Gyllenhaal starring as an art critic who discovers that Light Cinema mysterious paintings by an unknown artist have supernatural abilities—and take Best Thrillers revenge Tv Spielfim anyone attempting to profit off of them. The answer? This sun-dappled thriller glimmers with a first-rate cast led by Matt Damon, enviable real estate and a complex gay protagonist still a mainstream rarity whose reflection on a polished piano splits apart in a mind-blowing shot. Berlin's most moneyed and celebrated director, Moviepalast Lang, was drawn to the subject, which would become the spine of his first sound Best Thrillers, in many ways the commercial birth of the modern psychothriller. The main accusation leveled at Bigelow Automotorsport that she condoned the use of torture in her depiction of the hunt for Osama bin Laden — is hardly borne out in a deeply unmisty-eyed look Kinoprogramm Gröditz U. Poor thing. William Powell and Myrna Loy were never better than they were in this film and its sequels. You might Ip Man Streamcloud slept on this Spike Lee-produced film, but it's on Netflix and Life Die Repeat on your binge. Taxi Driver.
Approved 93 min Film-Noir, Mystery, Thriller. Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, Harry Lime.
R min Action, Drama, Mystery. After being kidnapped and imprisoned for fifteen years, Oh Dae-Su is released, only to find that he must find his captor in five days.
R 98 min Crime, Drama, Thriller. Jerry Lundegaard's inept crime falls apart due to his and his henchmen's bungling and the persistent police work of the quite pregnant Marge Gunderson.
R min Crime, Drama, Thriller. A group of professional bank robbers start to feel the heat from police when they unknowingly leave a clue at their latest heist.
An undercover cop and a mole in the police attempt to identify each other while infiltrating an Irish gang in South Boston.
R min Action, Crime, Drama. PG 91 min Crime, Drama, Thriller. R 97 min Horror, Sci-Fi, Thriller. A cop and an FBI agent race for answers after law abiding people suddenly become violent criminals.
Two police detectives, a grizzled veteran and one fresh-faced rookie, hunt a ritualistic serial killer murdering people with tattoos and skinning them.
Votes: 2, R min Drama, Thriller. After a famous author is rescued from a car crash by a fan of his novels, he comes to realize that the care he is receiving is only the beginning of a nightmare of captivity and abuse.
It follows Dutchman Rex Gene Bervoets as he tries to uncover the fate of his girlfriend, Saskia Johanna ter Steege , who disappeared from a rest-stop service station years earlier.
The ending is a jaw-dropper. The killer moment: A psychopath practices his abduction techniques, even going so far as to chloroform an imaginary victim in his passenger seat.
But the undertones are grotesque and still challenging: a story of sexual exploitation, murder, manipulation and state-sanctioned cruelty.
You, I don't even like. But as it skitters toward that epic denouement, you can only marvel at the elemental power Mann conjures from his simple story of cop Al Pacino and robber Robert De Niro.
The killer moment: Two titans of crime movies, Pacino and De Niro, meet for the first time onscreen: an elegantly simple diner chat loaded with subtext.
The killer moment: The granddaddy of hallway scenes has Marvin striding through a nondescript office.
His heels echo hypnotically and Boorman takes off, cutting away from the action but never losing that forward momentum. Poor thing. Wait until you see this guy, wheeling out of a dark corner with a canned laugh.
Taking place over the course of a single night, this grim story of a murder plan gone awry holds us rapt, thanks in large part to the glamorous yet weary visage of screen legend Jeanne Moreau.
Hitchcock rated this blackly comic suburban thriller as one of his very best, and who are we to argue? The killer moment: In a sweltering office filled with the sound of crickets, the gun goes off.
Excruciatingly we watch dark red trickle down a white shirt. This Martin Scorsese-produced, Stephen Frears-directed black comedy is one of the strongest adaptations of his work.
John Cusack plays the lunk in question, a con-man who thinks he can get one over on his own mother, played with delicious savagery by Anjelica Huston.
Based loosely on actual events, the film brought a bracing verisimilitude to the cop flick, as Popeye bellows and brutalises his way through a criminal fraternity.
The sequel is every bit as good. The film is bolstered by a number of high-strung set pieces; its combination of slasher-flick imagery, political intrigue and tragedy is intoxicating.
Pure panache and an admitted inspiration on such nobodies as Jim Jarmusch, Walter Hill and John Woo, Jean-Pierre Melville's cryptic thriller channels an almost abstract sense of fate and beauty.
At its core is actor Alain Delon's hitman: trenchcoat-clad, chiseled, a dude of few words. He glides through the film as if doomed; there's not an inch of fat on this plot, which never get sentimental, only colder and more aggressively on target.
The killer moment: Delon's assassin cruises on and off several Metro lines, even jumping a moving walkway to shake several different pursuers.
The guy is smooth. In his most honest and heartfelt performance, the late Bill Paxton plays Dale Dixon, a small-town sheriff who dreams of escaping to the city.
The killer moment: The opening home invasion is still shocking in its offhand brutality. The main accusation leveled at Bigelow — that she condoned the use of torture in her depiction of the hunt for Osama bin Laden — is hardly borne out in a deeply unmisty-eyed look at U.
Only Welles could pull off this literal fracturing of the image so confidently. The allegedly Buddhist opening epigraph is fake writer-director Jean-Pierre Melville simply made it up , but the sense of Zen purity that runs through this flawless French heist movie is wonderfully convincing.
As lean and meticulous as Japanese calligraphy, this is precision-tooled filmmaking. The killer moment: The silent robbery sequence is a minute master class in sustained tension.
Mercifully, it happens off-screen. Plus, it introduced the world to the cricket-obsessed comedic characters Charters and Caldicott, who went on to many more films and even a TV series.
Villeneuve mounts spectacular set pieces the convoy sequence, shot by the great Roger Deakins, is a pulse-pounding standout , while also painting a bleaker picture of the lawless badlands than even Trump can muster.
Brian De Palma burnishes his Hitchcock fixation to a high sheen in this supremely confident New York City-set thriller, which features something of a surrogate character for the director himself: a teenage tech whiz Keith Gordon obsessed with cameras and spying devices who's bent on avenging the unsolved murder of his glamorous mother Angie Dickinson.
Trans movies have come a long way since this one. The killer moment: It's one of De Palma's purest sequences of total craft: a wordless flirtation between two strangers at the Metropolitan Museum of Art actually shot in Philly that becomes a missed connection, a painful rejection, then a chase.
The dramatic world of ballet is fertile ground for an exploration of professional jealousy and obsession. The killer moment: Warring prima donnas grapple in an intense, shape-shifting fight scene.
With such over-the-top delirium, who could ever think of ballet as prissy? Huge respect is also due to leading man Guy Pearce, who at times seems to be holding the whole project together through sheer force of will.
Where is Linda Fiorentino these days? Watching her sleek seductress Bridget double-cross an abusive husband and manipulate her naive small-town boy toy with a playful shrug is a turn-on in itself.
Jane Fonda gives an iconic performance as Bree, a prostitute who finds herself involved in a missing-person case being investigated by the titular detective Donald Sutherland.
The killer moment: Late at night, Bree lies in bed as her phone rings and rings, and the camera zooms out slowly. Never discount our need to laugh, especially when thrillers are involved.
Nick and Nora Charles — crime-busting couple, doting dog owners and constant drinkers — are two of the wittiest creations to ever grace the genre.
William Powell and Myrna Loy were never better than they were in this film and its sequels. The killer moment: All the murder suspects are gathered at a dinner table, as Nick holds court in a big reveal that goes sideways.
One river. Two canoes. Four manly men well, three and Ned Beatty on a rural getaway that goes dark fast. This is a film that explores the wholesale destruction of natural spaces, the ignorant superiority of city folk, the brutal beauty of the American landscape.
But return to the scene for its uneasy menace, lingering just under the music. Humphrey Bogart is a Dixon Steele, a tempestuous screenwriter who may have committed a murder in this Hollywood-set slice of noirish excellence.
Dixon and his neighbour turned lover, Laurel Gloria Grahame , make for a compelling and tricky pair, and the fog of moral ambiguity that surrounds them keeps us on our toes until a dramatic final twist.
I died when she left me. I lived a few weeks while she loved me. As Hitchcockian as ultra-chic blondes come, the rough-edged murder suspect Catherine Tramell made Sharon Stone an ageless star overnight.
With her husband Sam Neill stranded on a distant sinking boat, our flame-haired heroine gets resourceful, with plenty of shocks along the way.
The killer moment: Husband and wife, each in an unstable vessel, attempt to communicate by radio and every word, barely heard, could be their last.
Advice: If a pair of preppy strangers appears at your door asking to borrow some eggs, turn them away. Haneke truly believes in indicting our bloodlust; he remade this film, shot for shot, with Naomi Watts in It also made a huge star out of Clint Eastwood, hardened into iconic fury.
Director Fritz Lang dispenses with his anti-Nazi allegories to craft a byzantine story in which the not-so-good doctor Wolfgang Preiss has every room in a hotel under surveillance.
A high-angle shot isolates the suddenly motionless car. Its essential theme — the need to seek the truth — exemplifies the chaotic, activism-defined moment in which it was released, and rings urgently true in our era of fake news and government corruption.
The killer moment: Right-wing thugs in a truck speed toward a circle of protestors and beat a peaceful politician with a club. Warren Beatty plays a crusading reporter who takes a deep dive into a secret organisation of political assassins; unwittingly, he has no idea how much they'd like to welcome him among their ranks.
The killer moment: Beatty's Joe Frady goes for an interview: He's led to a screening room where, Ludovico-style, he's subjected to one of the most radical silent montages ever presented by a Hollywood film.
Two men meet, entirely by chance. Many psychological thrillers play around with the main character's back story, or make use of an unreliable narrator.
Films like Christopher Nolan's Memento present the audience with one perspective on the story, and then generate suspense by showing the ways in which "reality" contrasts to this perspective.
This sometimes, but not always, results in a "twist" or surprise ending based on the difference between the main character's perception and that of outside observers.
Several of these films are critically acclaimed psychological thrillers. This list contains the best thriller movies of all time.
It is open and vote ranked, so be sure to vote for your favorites and add any other movies that may be missing at the bottom of the page.
Got an opinion on great thriller movies? Vote for your favorite psychological suspense movies ever!