Review of: Luca Guadagnino

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On 07.11.2020
Last modified:07.11.2020

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Bequem vom Kletterpfad beisam- men.

Luca Guadagnino

Finden Sie perfekte Stock-Fotos zum Thema Luca Guadagnino sowie redaktionelle Newsbilder von Getty Images. Wählen Sie aus erstklassigen Inhalten. Luca Guadagnino ist ein italienisch Regisseur, Produzent. Entdecke seine Biographie, Details seiner 21 Karriere-Jahre und alle News. (1 DVD) Mit SUSPIRIA ist Luca Guadagnino (CALL ME BY YOUR NAME) ein brillantes Remake von Dario Argentos Klassiker gelungen. Mit einer exzellenten​.

Luca Guadagnino Würdige Reflektion eines Charakters

Luca Guadagnino ist ein italienischer Filmregisseur. Luca Guadagnino (* August in Palermo) ist ein italienischer Filmregisseur. Inhaltsverzeichnis. 1 Leben; 2 Auszeichnungen; 3 Filmografie (​Auswahl). Seinen Film I Am Love präsentierte Luca Guadagnino auf dem Filmfestival von Venedig — es folgte eine große internationale Festivaltour. Finden Sie perfekte Stock-Fotos zum Thema Luca Guadagnino sowie redaktionelle Newsbilder von Getty Images. Wählen Sie aus erstklassigen Inhalten. In der Hauptrolle: Tilda Swinton, Ralph Fiennes, Matthias Schoenaerts, et al. Regie: Luca Guadagnino. Luca Guadagnino ist ein italienisch Regisseur, Produzent. Entdecke seine Biographie, Details seiner 21 Karriere-Jahre und alle News. Regisseur von "Call Me By Your Name" Luca Guadagnino soll "Scarface"-​Remake drehen. Es ist einer der bekanntesten Mafia-Filme der.

Luca Guadagnino

Luca Guadagnino ist ein italienisch Regisseur, Produzent. Entdecke seine Biographie, Details seiner 21 Karriere-Jahre und alle News. Finden Sie perfekte Stock-Fotos zum Thema Luca Guadagnino sowie redaktionelle Newsbilder von Getty Images. Wählen Sie aus erstklassigen Inhalten. Der Regisseur Luca Guadagnino spricht über seine Visionen für das Remake. Der Film werde gut in die gegenwärtige Zeit passen.

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Luca Guadagnino Speaks to the 'Illusion of Deep Physicality' in 'Call Me by Your Name' Luca Guadagnino

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Luca Guadagnino - Inhaltsverzeichnis

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Plus, House and Nathan talk about the Houston Open and what story lines may transfer over to the Masters. Verno and KOC also discuss their intriguing draft prospects of the week.

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How much of Luca Guadagnino's work have you seen? Nominated for 1 Oscar. Known For. Call Me by Your Name Director. Suspiria Director. A Bigger Splash Director.

I Am Love Director. Find Me announced. Show all 8 episodes. I am fascinated by them. I am empathic, I would say, to them.

I like to see the weaknesses in others, so that I can think of my own. I believe that those are also ways of discourse. A weakness could be a way in which you try to talk about yourself without knowing you are doing that.

And in a way, the greatest of the weaknesses is the incapacity of understanding the other, in his or her or their otherness.

I think the show presents itself as a sort of antidote to the impossibility of accepting the other.

I saw a lot of social media response to the relationship between Fraser and Sarah, and how healthy it was. Where were you attempting to go with that family unit?

Truthfully, Fraser is the son of a woman, Sarah — and another woman, Maggie — who has not been granted the possibility of knowing who his father is, by a woman who mirrors his way of being.

Sarah and Fraser have, in a way, the same sort of provocativeness, or aloofness, as people. So when you have two people that mirror each other, who are so deeply connected in such a visceral, archetypal way, and at the same time, you have not been granted the possibility of knowing fully who you are, because you cannot know who generated you on the other side, you will have problems, you will have complications in your relationship with your mother.

In general, a relationship with a mother is not a relationship that can be carved out for a commercial for cookies. Life is messy, relationships are messy.

I love the use of music throughout the series. How did those wind up playing such crucial roles in the story? It took two years.

John Adams is part of my quest for the usage of music in film. I had a brief exchange of emails with John, and he was happy with me going back to this great piece of music from his first and only musical, because I Was Looking at the Ceiling was panned and slashed when it came out.

It was looked at as a disaster, when in fact it is is a beautiful piece of music. The kids, in a way, gave me the sense of that pulse, that could match that important music by John Adams.

That happened throughout the editing. And finally, when we had to bring Fraser to reconnect with Caitlin, and what he wanted from her, the urgency was again high.

The song itself is composed of two songs from two albums. I like the idea of one song that unifies two as a metaphor of Fraser and Caitlin.

And I like very much what is in the song. What prayer is the song about? I believe that if you ask enough times, you should say yes. This plea of come into my bedroom is met with a big yes in the show.

I found it perfect for it. Was this always intended to be a romance? That was the arc we wanted. But if you go back to the show, you can track the unconscious movements of Fraser and Caitlin toward one another, even if they are saying the opposite of what they mean.

In Episode Four, he tells her that Sole kissed him, and she chastises him, saying not to do it again. Who tells you that? Sometimes you will see a glimpse of a gaze of one to the other.

So it grows until it becomes unstoppable. Did telling this story over eight-plus hours for television change anything about your usual approach to storytelling?

As an example, Episode Seven, the first cut was an hour and 35 minutes, and this is an hour and 15 now, which is longer than usual.

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Suspiria Director Luca Guadagnino talks about the fashion in his films- Face to Grace - M2M Luca Guadagnino

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Suspiria Director Luca Guadagnino talks about the fashion in his films- Face to Grace - M2M Golden Globes. Mel 2 episodes, Who tells you that? He also produced Filomarino's feature Antonia. Looking for something to watch? By Danny Kelly. Questa voce o sezione sull'argomento registi Light Cinema non cita le fonti necessarie o quelle presenti sono insufficienti. Archived from the original on 11 Good Guy Retrieved 9 January

But it was 40 pages of script. Probably, in different hands, we would have had a much shorter show. I always try to put behavior in front of the camera, so that is a possibility for investigation of character development in its fullness.

Have you given any thought to what the two-hour version of this story would have been, and what would you have had to say goodbye to?

Could you have told this story at the length of your films? I would say no, because we conceived it as this. I think there could be a beautiful movie on Caitlin and Fraser that is a two-hour movie.

In this case, we got to explore a lot of their lives. I think so. Should I continue? Based on this, I would say yes. The film set is about the life of Jesus Christ or something like that.

And the way Pasolini created those tableaux was in my mind when I did that. And on the food scene, I used the elements.

I asked the prop master to prepare the pasta in the fashion in which kids should have done it: overcooked, messy, in a pan and not on the plates.

And I handed it to Jack and told the kids to eat with their hands. Why did you do that? They are facing, possibly, in the most wrenching way, that they may not be what they wanted to be.

That their desire is not their desire. That there is a level of intellectualism, or curiosity, that is met with a level of instinct there.

I think it is such an important, cataclysmic moment with Caitlin, that we cannot afford not to follow her way through the crowd. And the only way was to rotate the camera.

How did that happen? I always wanted to know that there was a moment in Episode Eight, that there was a recomposition after the dramatic fall-apart of Episode Seven.

And then it appears in reality. Why did you want that to be a part of that moment? I know Bologna pretty well, and Bologna is an antagonist, alternative city.

Of the cities of Italy, it is one of the most conservative on the one hand with a lot of old culture. In Bologna, many things happen.

So there was something about the place that I want to encompass, this place that is about youth and antagonizing youth. That traveling shot, I knew the place, and went to see the place when I was scouting in the summer.

I saw the beauty of this long, long mural, and I decided to have this long shot since I remade my scouting there. How much interaction did you ultimately need to have with the U.

Did you have to get approval from them, or did you do it on your own? We were supposed to have the DOD support and to shoot in a real military base, until the month of April , when they said no, because finally they realized that the content of the show was not good for them.

So there was no way, and we were basically pushed out from the base, and not given any more support. But we hired a great team of military, and we built a base from scratch.

This makes me very happy. Why did you choose to set this in , with the election as the backdrop? So we needed to be giving context to the contemporarity.

When you do something in the same time in which you are shooting, you will be out of touch, because you will not be able to catch up with reality.

I hate when you have the sense of artificiality in the contemporary. So we decided to go back four years to give ourselves a sense of time, and a control over that time.

At the same time, it was a temptation too strong to be able to talk about the lives of people in a before and after. Before, a nation was reconciled; after, a nation was torn apart.

Before, it was all about what was supposed to be impossible being possible, and afterwards was about the brutal reality. I like that kind of before and after.

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Directors to Watch. Faw Directors. Do you have a demo reel? Add it to your IMDbPage. How Much Have You Seen? How much of Luca Guadagnino's work have you seen?

Nominated for 1 Oscar. Known For. Call Me by Your Name Director. Suspiria Director. A Bigger Splash Director. I Am Love Director.

Find Me announced. Show all 8 episodes. Find Me producer announced. Una storia siciliana Documentary associate producer.

Still Life Short special thanks post-production. Self - Interviewee.

Luca Guadagnino

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